The autor advances a critical concept about cultural identity, through his own national perspective. The work puts forward a construction of collective memories of the nation and the people, from inside the author's national landscape. The paper explores the relationship between two poles. On the one hand, he looks at how the nation was portrayed in the visual form of popular culture during a time of economic recession. On the other hand, he explores how the history of the nation had been organized in order to serve the purpose of mobilization and unity of the nation in this new situation.
